
CHULUCANAS CERAMIC &
FINE POTTERY
from Peru |
Chulucanas is a small town one hour away by
road from Piura, located approximately 600 miles north of
Lima, on the coast of Peru. Its inhabitants descend from early Tallanes
(before Christopher Columbus),
and they developed
a “negative” technique
for pottery which
is now known as Vicus ceramics
in some museums.
The culture, inspiration, and tradition of
Chulucanas ceramics have
a unique trait based
on ancestral techniques
using mango leaves
to obtain the well-known
“negative” or polished
black color, and firewood
from algarrobo
trees (carob trees) as
fuel, in specially
designed kilns to produce
enchanting works
of art. This innovative technique is used during
the burning process to
achieve durability
and a beautiful regal finish
in keeping with
ancestral designs.
An interesting technique in creating these
magnificent pieces of art
is the use of a
paleta: A flat wooden tool
used to softly
paddle clay rolls placed
in spirals. This shapes, stretches, smoothes and gives
the clay a soft texture.
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Once the ceramic takes shape, it is in what
is known as a “leather
state.” It is here that the painting takes place. Then comes one of the most important stages
of the process: Brunido or polishing. The complete surface is rubbed with river
stones of various shapes
and sizes, to obtain
a homogenous satin surface. This is repeated three times, entirely by
hand. This operation requires a great deal of care
and artistic dexterity
as to not crack or
damage the piece.
Once it is dry, the ceramic is placed in
the kiln, where it is “burned”
at approximately
1300 -1700º F. Decoration is the next step: Liquid clay is used to cover certain areas
and the areas requiring
darkening are left
uncovered. This negative technique resembles batik where
wax is used for the same
purpose. After the kiln, the piece goes into the smoking
oven where mango leaves
have been placed. These leaves are used not only as fuel but
also to produce smoke that
will darken the
pottery, and a resin which
adheres to the
ceramic giving it the characteristic
Chulucanas
style. This reduction burning process is done at
least twice and sometimes
three times, until
the desired dark shade
is obtained. It may range from various browns to solid
black.
The final step is to clean and polish the
pottery with various waxes;
rubbing them
until there is an impeccable
satin luster.
As you can see, the final result is stunning!
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