CHULUCANAS CERAMIC &
FINE POTTERY

from Peru

Chulucanas is a small town one hour away by road from Piura, located approximately 600 miles north of Lima, on the coast of Peru.  Its inhabitants descend from early Tallanes (before Christopher Columbus), and they developed a “negative” technique for pottery which is now known as Vicus ceramics in some museums.

The culture, inspiration, and tradition of Chulucanas ceramics have a unique trait based on ancestral techniques using mango leaves to obtain the well-known “negative” or polished black color, and firewood from algarrobo trees (carob trees) as fuel, in specially designed kilns to produce enchanting works of art.  This innovative technique is used during the burning process to achieve durability and a beautiful regal finish in keeping with ancestral designs.

An interesting technique in creating these magnificent pieces of art is the use of a paleta: A flat wooden tool used to softly paddle clay rolls placed in spirals.  This shapes, stretches, smoothes and gives the clay a soft texture.

Once the ceramic takes shape, it is in what is known as a “leather state.”  It is here that the painting takes place.  Then comes one of the most important stages of the process:  Brunido or polishing.  The complete surface is rubbed with river stones of various shapes and sizes, to obtain a homogenous satin surface.  This is repeated three times, entirely by hand.  This operation requires a great deal of care and artistic dexterity as to not crack or damage the piece.

Once it is dry, the ceramic is placed in the kiln, where it is “burned” at approximately 1300 -1700º F.  Decoration is the next step:  Liquid clay is used to cover certain areas and the areas requiring darkening are left uncovered.  This negative technique resembles batik where wax is used for the same purpose.  After the kiln, the piece goes into the smoking oven where mango leaves have been placed.  These leaves are used not only as fuel but also to produce smoke that will darken the pottery, and a resin which adheres to the ceramic giving it the characteristic Chulucanas style.  This reduction burning process is done at least twice and sometimes three times, until the desired dark shade is obtained.  It may range from various browns to solid black.

The final step is to clean and polish the pottery with various waxes; rubbing them until there is an impeccable satin luster.  As you can see, the final result is stunning!


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